Archive
2020-2022
Here you can find all of my previous works, giving a holistic impression of what I do.
POILUS
2021
A sonic re-interpretation of the original from 2016, this piece fuses orchestral sounds with electronics. It colours the visual narrative of the hopes and horrors of WWI. Combining hyperreal sound design with interpretative music, the piece acts as a sonic kaleidoscope for the audience, while remaining a consistent point of reference throughout the different scenes.
ANIMATION
Isart Digital
MUSIC, SOUND DESIGN AND MIX
Elixir Sound Productions
SONIC THEMES
Hope
Madness
Terror
FLORAL MESSAGE
2020
The film explores Floriography, the cryptologic communication
behind flowers. As part of a larger graphic design project, the
piece showcases how we could reclaim the language of flowers
as a modern form of expression, as once used in Victorian
time.
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The sonic narrative was built on the elements of love, friendship,
and career. Foley recordings of plants merge with musical
composition to tell the story of the symbolism these particular
flowers contain.
ART DIRECTION, FILM, EDIT
Raya van der Kroon
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DIRECTOR OF CAMERA
Lucie Lazarus
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SOUND DESIGN + MUSIC COMPOSITION
Cedric Maurice Wiegel
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PRODUCTION
UAL, LCC, London
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FLORAL ADVICE
Wallflower Peckham
Shannon Clegg
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DANCER, MODEL
Farah van Stokkum
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PRODUCTION ASSISTANCE
Juan Serrato
SONIC THEMES
Intimacy
Connection
Power
INSIDE LAYERS
2020
This piece, originally made for the Transmediale Berlin by Lucie Zoe Lazarus, follows the movements of a mysterious character that explores its own identity. This conceptual composition is built around the elements of playfulness, personal growth, and revelation. Using orchestral sounds and electronic textures, the fragile tensions that come with the process of self-discovery are highlighted.
ART DIRECTION
DIRECTOR OF CAMERA
Lucie Lazarus
SOUND DESIGN AND MIX
Cedric Maurice Wiegel
SONIC THEMES
Playfulness
Tension
Discovery
ALICE IN WONDERLAND
Trailer Remake, 2022
Being a fan-made alternative trailer to Tim Burtons’ 2010 Alice In Wonderland, the visual and sonic concept is to accentuate Burtons’ macabre and give it a more adult edge, taking it from humorous horror to twisted schizophrenia. Original foley, sound design and score were created and recorded to highlight the sense of imminent madness and threat while retaining the essence of the original story.
IMAGE RIGHTS AND PRODUCTION
Disney
SOUND DESIGN, SCORE, POST-PRODUCTION
Cedric Maurice Wiegel
EDIT
Cedric Maurice Wiegel
SONIC THEMES
Hope
Madness
Terror
Eerieness
Suspense